THE BEST OF THE BUNCH
This was a great Oscar year. When it comes to Oscars, great equals diverse. The fact that I've got everything on my top list, from documentaries to animated movies, from science fiction to period pieces, is such a big plus in my book. Any time the Oscars can be something other than stale award-begging dramas, I'm good with it.
Gravity was at the top of my Best of 2013 list, so it's no surprise that it made the top of the Oscar list too. As soon as my expectations was scaled down to the proper level I could enjoy this kick-ass ride for what it was. And I've been enjoying it countless (actually 3) times since. I had high hopes for American Hustle, even though I'm not a big fan of the director. It met my expectations to the fullest, and even surprised me a few times. It's such a blast to watch, and not just because of the partially exposed chicks in their flashy garments, no, the story is fun and the movie is a kick-ass ride. And yes, I deliberately use that term again. Good characters, a good story, and good filmmaking can be a kick-ass ride too. I can't for the life of me figure out why some people don't like this film.
Prisoners was something else. A story that could have been dealt with in a 40 minute TV episode, and yet works perfectly in this 2,5 hour long, complex, murder-mystery come character study. The kind of movie that makes you sit quietly in the dark for a few moments after it's over. All is Lost may only work for someone like me - you know, a rough and chiseled adventure-seeking type (that's really funny if you know me) - but so be it. Can you tell a story about a single character, who doesn't speak to anybody, who's stuck on a deteriorating boat for almost 2 hours, and make it entertaining? I say yes.
20 Feet from Stardom was an utterly charming documentary about backup singers. It had laughter, tears, music, and a great historic perspective. Demanding more from a movie would just be diva behavior. Despicable Me 2 was not as good as the first one, but those minions are cute, so leave me alone. Dirty Wars was an angry film about USA's questionable foreign policies, from a reporter with both feet on the ground. Entertaining and enlightening.
2) American Hustle
4) All Is Lost
5) 20 Feet from Stardom
6) Despicable Me 2
7) Dirty Wars
GOOD, BUT NOT GREAT
I almost gave up on Peter Berg's story about a team of soldiers caught behind enemy lines, before it really got going. Good thing I didn't. Once you get past the opening 20 minutes of bullshit macho military masturbation, Lone Survivor tells a really fascinating and visceral story about survival, and it is SO brutal! August: Osage County is not the kind of film I prefer to watch, but I enjoyed the hell out of this crazy story about a crazy family, and I was able to ignore Meryl Streep's cartoon-overacting and just focus on the many good performances. What can I say, it just worked for me.
Captain Phillips worked too. There wasn't anything wrong with it per se, it just didn't get to me. Sure there was that killer final scene, but everything up to that left me a bit meh. I'll give it another chance soon, though. Philomena was a sweet story. The film has a slightly condescending attitude towards its subject, and perhaps the ending should have had more bite, but the core story worked well, and Steve Coogan and Judi Dench are fabulous in the leads.
Dallas Buyers Club was a good, important story, with great performances, but a few problems. It drags in the middle, and its worldview, which casts the FDA as the bad guys, lacks perspective and insight, and does the struggle of the AIDS afflicted patients no favors. Star Trek Into Darkness was a good-looking, big budget extravaganza, also full of problems. Chief among them: Why waste so much energy pretending it wasn't the Khan story? The Square was fine, but it was out of date, the second it was finished. The Croods had sweet characters, a few clever ideas, and a fun story, but the opening 20 minutes were rough. I tune out when I'm watching this kind of animated movie - it means nothing to me. Luckily The Croods ended up bringing it home.
8) Lone Survivor
9) August: Osage County
10) Captain Phillips
12) Dallas Buyers Club
13) Star Trek Into Darkness
14) The Square
15) The Croods
Iron Man 3 is a Marvel film. That's all I have to say on the subject. Frozen is a musical. I find this kind of film almost unwatchable, so even though it had some spunk, good characters, and a funny sidekick, it also had singing.
Her felt like a passive-aggressive love letter to all womankind, from a little man, who has been burned one too many times. And it's about 40 minutes too long. Having said that it's an amazing story to pull off, and the world is intriguing. The bigger issues bubbling below the surface, deserve a more weighty film, though.
I'm going to sound like a colossal dick now, but I found 12 Years a Slave to be a bore. No doubt about it, slavery was (is) an appalling and ugly chapter in human history, but I know that. It's a history lesson I didn't ask for, wrapped in a guilt trip I don't need. I can't even watch a Tom and Jerry cartoon without wondering about the plight of that large black woman. Trust me, the issue has registered. Perhaps we need some movies that shed light on this subject from a different angle, rather than preaching to the converted, like this movie does.
As cute as Cutie and the Boxer is, I just didn't buy it as a documentary. Perhaps that's unfair, perhaps everything is straight up and legit, and I'm just overly critical. Perhaps not. That doubt is no good when you're watching a documentary.
What the hell were the producers of The Lone Ranger thinking?! Seriously, what were they thinking? How can you spend so much money on something so meh!? The best thing I can say about the film, is that at least it's not Wild Wild West bad. It's quite a bit better than that, actually.
16) Iron Man 3
19) 12 Years a Slave
20) Cutie and the Boxer
21) The Lone Ranger
QUITE BAD ACTUALLY
The Great Gatsby perfectly illustrates why CGI is not the way to go for everybody. Nothing here looks real. Baz Luhrmann should be painting raw pictures with a ragged brush, not waste his time making something that looks like any other CGI drenched movie. As for the story, the mystery of the first half hour had potential, but when we find out what Gatsby wants the film turned into dullsville.
There's a slight chance Nebraska is just not for me, but I found it endlessly annoying. And I just wanted to run Bruce Dern off a cliff. The Act of Killing just plain didn't work. It was supposed to make mass murderers repent, but it ended up advertising how awesome it is to be a killer and get away with it.
The Wolf of Wall Street, also had moral issues, and also seemed unaware of its own failures. On top of that it was too long, and when it wasn't straight up bad, all it did was copy better films. The Grandmaster was a piece of shit. Now, I know the US version I saw was heavily altered, but I have a feeling it wouldn't make much difference which version I saw.
22) The Great Gatsby
24) The Act of Killing
25) The Wolf of Wall Street
26) The Grandmaster
There was a handful of titles I didn't have time to get to, or they weren't available to me. These were: Before Midnight, Blue Jasmine, The Hobbit: The Desolation of Smaug, Saving Mr. Banks, and The Wind Rises.
There was also a few titles I just didn't care about: Inside Llewyn Davis (yes, I know, but I'm not a Coen fan, they get no special favors from me), The Book Thief, Ernest & Celestine, The Invisible Woman, Jackass Presents: Bad Grandpa, Mandela: Long Walk to Freedom. Also, I didn't get a chance to see any of the foreign movies. Yes, I'm aware of the irony: One of them is from my own country.
That's it. Naturally I reserve the right to change my mind when it comes time to do the 2014 top/bottom lists, but until that sweet time, here are the final words on the 2013 Oscars: It's not rocket science.